🔗Shared Exercise•F
🔄Chord Changes
mediumInversions Through F-C-Dm
Play F major in root position (F-A-C), C major in first inversion (E-G-C), and Dm in second inversion (A-D-F). Connect them using only chord tones, creating a bass line that moves F-E-A while upper voices move smoothly above.
Tip: Inversions create stronger bass movement than root position chords. The bass line becomes melodic.
Was this helpful?