🔗Shared Exercise•F#
🔄Chord Changes
hardTritone Substitution Navigation
Play F#maj7-C7-Bmaj7 using tritone substitution for the expected F#7. Outline C7 arpeggio (C-E-Bb-D) in position 8, resolving Bb to A# and E to D# in Bmaj7. Create a melodic line that makes the C7 sound inevitable, not random. Use syncopated rhythm: quarter-eighth-eighth pattern per chord.
Tip: Tritone subs work because C7 and F#7 share the same tritone interval - your ear hears the same harmonic function with a different bass note.
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